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Gnawa Berlin
Three band members in red and green kaftans play qraqeb and tbel before the lattice facade of the Haus der Kulturen der Welt, a crowd gathered around them

The band

About us

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Gnawa Berlin is a band of musicians and dancers based in this city, playing Gnawa: the ritual trance music brought to Morocco by West African peoples and shaped over centuries into something entirely its own.

We came together in this city, from Morocco and from elsewhere, and we play the repertoire the way we learned it: long, patient, built on repetition. A guembri sets the ground, the qraqeb thicken the pulse, and one voice calls while the rest answer. Nothing hurries. The music works by accumulation, and then it lifts.

We play the usual Gnawa repertoire, including the pieces that belong to the lila. A lila is a night-long Moroccan ceremony of healing that runs from dusk until dawn, led by a maâlem. Its suites are performed in a fixed order, and each one is addressed to a particular spirit and to the colour associated with it, so the night moves through those colours in turn. What we give in Berlin is a concert rather than a ceremony, but we keep that order and the seriousness with which the pieces are handled, because the music does not really work without them.

You will find us in venues, at festivals, and walking through the city in procession on midsummer nights. We also run open workshops where anyone can pick up a pair of qraqeb and learn a pattern. No experience is needed, and no instrument of your own.

The instruments

Three sounds carry almost everything in this repertoire.

  • The maâlem in a red embroidered robe and white cap smiles on a Berlin street, holding the guembri across his body

    Guembri

    A three-stringed bass lute with a camel-skin face, plucked and struck at once so it carries both the bassline and the pulse. The maâlem, the master musician, leads the night from behind it.

  • Close-up of hands holding two pairs of iron qraqeb against a black kaftan embroidered with red and gold flowers

    Qraqeb

    Heavy iron castanets played in pairs, one in each hand. Their interlocking clatter is the engine of the music: a rhythm that thickens and accelerates until the room moves with it.

  • A band member in a cowrie-shell cap and embroidered black and red robe stands outdoors holding a carved tbel drum and curved beater

    Tbel

    A double-headed drum struck with curved sticks, used above all in the street. It is the sound that announces a procession long before you can see it.

Booking & contact

Concerts, festivals, workshops, collaborations, press: tell us what you have in mind and we'll come back to you.